Intellijel Korgasmatron II Manuel d'utilisateur

Intellijel KORGASMATRON II Illustrated supplement by Demonam

Normalled inputs 08 FILTER A : IN A : Signal input to filter A. Patch a audio signal here to be filtered. The knob IN A attenuates this signal. This

XFADE signal to be filtered SERIAL configuration 09 Advice : If you are using the Korgasmatron II in SERIAL configuration inserting a plug into IN B j

signal(s) to be filtered PARALLEL configuration 10 Use MIX output if the Korgasmatron II is in PARALLEL configuration and you want to mix the filters

XFADE response - 01 11 UNIPOLAR signal input [0V/+...V] ADSR illustration BIPOLAR signal input [-...V/+...V ] triangle LFO illustration MANUAL set (no

XFADE response - 02 12 UNIPOLAR signal input [0V/+...V] ADSR illustration BIPOLAR signal input [-...V/+...V ] triangle LFO illustration MANUAL set (no

State-variable stereo filter 13 Set the Korgasmatron in PARALLEL configuration. Use same LP-BP-HP-BR's switch position for A & B filters to

State-variable stereo filter - VC pan patch 14 Requires 2 bipolar VCAs. Set gain of VCA to +1 and VCA 2 to -1. In this patch, a positive offset patc

CV CUTOFF/BANDWIDTH 1-pole BAND-PASS filter patch 15 Monitoring band-pass filter at OUT B in SERIAL configuration. band-pass CUTOFF shift : Manually

1-pole BAND-PASS filter curves 16 HP1 MODE A -LOW-PASS 1-pole FILTER cutoff LP1 MODE MIX A B B - HIGH-PASS 1-pole FILTER cutoff out freq. SERIAL - B

CV CUTOFF/BANDWIDTH 2-pole BAND-PASS filter patch 17 band-pass filter out signal to be filtered CUTOFF/BANDWIDTH set with A low-pass always > B

Index 01... LP2 / 2-pole low-pass filter 02... LP1 / 1-pole low-pass filter 03... BP1 / 1-pole band-pass filter 04... HP1 / 1-pole high-pass filter 05

2-pole BAND-PASS filter curves 18 HP2 MODE A -LOW-PASS 2-pole FILTER cutoff LP2 MODE MIX A B B - HIGH-PASS 2-pole FILTER cutoff out freq. SERIAL - B

CV CUTOFF/BANDWIDTH 1-pole BAND-REJECT filter patch 19 Monitoring band-reject filter at MIX in PARALLEL configuration with 1:1 XFADE. band-reject CUT

1-pole BAND-REJECT filter curves 20 HP1 MODE A - LOW-PASS 1-pole FILTER cutoff LP1 MODE MIX A B B - HIGH-PASS 1-pole FILTER cutoff out freq. PARALLE

CV CUTOFF/BANDWIDTH 2-POLE band-reject filter patch 21 signal to be filtered CUTOFF/BANDWIDTH set with A low-pass always < B high-pass CV CUTOFF

2-pole BAND-REJECT filter curves 22 HP2 MODE A - LOW-PASS 2-pole FILTER cutoff LP2 MODE MIX A B B - HIGH-PASS 2-pole FILTER cutoff out freq. PARALLE

CV CUTOFF/BANDWIDTH Asymmetrical BAND-PASS filter patch 23 asymmetrical band-pass filter out signal to be filtered CUTOFF/BANDWIDTH set with A low-pa

Asymmetrical BAND-PASS filter curves 24 HP2 MODE A -LOW-PASS 1-pole FILTER cutoff LP1 MODE MIX A B B - HIGH-PASS 2-pole FILTER cutoff out freq. SERI

CV CUTOFF/BANDWIDTH Asymmetrical BAND-REJECT filter patch 25 signal to be filtered CUTOFF/BANDWIDTH set with A low-pass always < B high-pass CV C

Asymmetrical BAND-REJECT filter curves 26 HP1 MODE A - LOW-PASS 2-pole FILTER cutoff LP2 MODE MIX A B B - HIGH-PASS 1-pole FILTER cutoff out freq. P

CV CUTOFF/BANDWIDTH Dual BAND-PASS filter patch 27 Monitoring dual band-pass filter at MIX in PARALLEL configuration with 1:1 XFADE. dual band-pass C

LP2 / 2-pole low-pass filter 01 Input attenuator IN A (and/or B) controls the level into the filter A (and/or B). For classic tone keep this below 1

Dual BAND-PASS filter curves 28 BP1 MODE A - BAND-PASS 1-pole FILTER cutoff BP1 MODE MIX A B B - BAND-PASS 1-pole FILTER cutoff out freq. PARALLEL -

CV CUTOFF/BANDWIDTH Dual BAND-REJECT filter patch 29 Monitoring band-pass filter at OUT B in SERIAL configuration. dual band-reject CUTOFF shift : M

Dual BAND-REJECT filter curves 30 BR1 MODE A - BAND-REJECT 1-pole FILTER cutoff BR1 MODE MIX A B B - BAND-REJECT 1-pole FILTER cutoff out freq. SERI

CV CUTOFF/BANDWIDTH (BP1 + LP1) filter patch 31 Monitoring (BP1 + LP1) filter at MIX in PARALLEL configuration with 1:1 XFADE. (BP1 + LP1) CUTOFF shi

(BP1 + LP1) filter curves 32 BP1 MODE A - LOW-PASS 1-pole FILTER cutoff LP1 MODE MIX A B B - BAND-PASS 1-pole FILTER cutoff out freq. PARALLEL - 1:1

CV CUTOFF/BANDWIDTH (BP1 + LP2) filter patch 33 Monitoring (BP1 + LP2) filter at MIX in PARALLEL configuration with 1:1 XFADE. (BP1 + LP2) CUTOFF shi

(BP1 + LP2) filter curves 34 BP1 MODE A - LOW-PASS 2-pole FILTER cutoff LP2 MODE MIX A B B - BAND-PASS 1-pole FILTER cutoff out freq. PARALLEL - 1:1

CV CUTOFF/BANDWIDTH (BP1 + HP1) filter patch 35 signal to be filtered CUTOFF/BANDWIDTH set with A band-pass always < B high-pass CV CUTOFF/BANDW

(BP1 + HP1) filter curves 36 HP1 MODE A - BAND-PASS 1-pole FILTER cutoff BP1 MODE MIX A B B - HIGH-PASS 1-pole FILTER cutoff out freq. PARALLEL - 1:

CV CUTOFF/BANDWIDTH (BP1 + HP2) filter patch 37 signal to be filtered CUTOFF/BANDWIDTH set with A band-pass always < B high-pass CV CUTOFF/BANDW

LP1 / 1-pole low-pass filter 02 Input attenuator IN A (and/or B) controls the level into the filter A (and/or B). For classic tone keep this below 1

(BP1 + HP2) filter curves 38 HP2 MODE A - BAND-PASS 1-pole FILTER cutoff BP1 MODE MIX A B B - HIGH-PASS 1-pole FILTER cutoff out freq. PARALLEL - 1:

CV CUTOFF/BANDWIDTH (BR1 + LP1) filter patch 39 Monitoring (BR1 + LP1) filter at OUT B in SERIAL configuration. (BR1 + LP1) CUTOFF shift : Manually s

(BR1 + LP1) filter curves 40 LP1 MODE A -BAND-REJECT 1-pole FILTER cutoff BR1 MODE MIX A B B - LOW-PASS 1-pole FILTER cutoff out freq. SERIAL - B OU

CV CUTOFF/BANDWIDTH (BR1 + LP2) filter patch 41 Monitoring (BR1 + LP2) filter at OUT B in SERIAL configuration. (BR1 + LP2) CUTOFF shift : Manually s

(BR1 + LP2) filter curves 42 LP2 MODE A -BAND-REJECT 1-pole FILTER cutoff BR1 MODE MIX A B B - LOW-PASS 2-pole FILTER cutoff out freq. SERIAL - B OU

CV CUTOFF/BANDWIDTH (BR1 + HP1) filter patch 43 Monitoring (BR1 + HP1) filter at OUT B in SERIAL configuration. (BR1 + HP1) CUTOFF shift : Manually s

(BR1 + HP1) filter curves 44 BR1 MODE A - HIGH-PASS 1-pole FILTER cutoff HP1 MODE MIX A B B - BAND-REJECT 1-pole FILTER cutoff out freq. SERIAL - B

CV CUTOFF/BANDWIDTH (BR1 + HP2) filter patch 45 Monitoring (BR1 + HP2) filter at OUT B in SERIAL configuration. (BR1 + HP2) CUTOFF shift : Manually s

(BR1 + HP2) filter curves 46 BR1 MODE A - HIGH-PASS 2-pole FILTER cutoff HP2 MODE MIX A B B - BAND-REJECT 1-pole FILTER cutoff out freq. SERIAL - B

Heavy dub bass 47 filter A bass out make filter A self-oscillate set past 12 o'clock for heavy bass bassline CV set bass frequency

BP1 / 1-pole band-pass filter 03 Input attenuator IN A (and/or B) controls the level into the filter A (and/or B). For classic tone keep this below

Ping ! 48 filter A ping out set just under filter A self-oscillation set ping frequency out time short A/D or trigger in A

attenuator for XFADE input Weird filter 49 Advice : If you are using the Korgasmatron II in SERIAL configuration inserting a plug into IN B jack wi

Spacewave sound 50 make filter A self-oscillate 1V/Oct quantized CV set filter A coarse frequency set filter B coarse frequency slightly detuned with

Feedback loop 51 Monitoring MIX output in SERIAL configuration. feedback loop out make filter A self-oscillate

Cross-FM 52 Monitoring MIX output in PARALLEL configuration. cross-FM out make filter A self-oscillate make filter B self-oscillate

Feedback cross-FM 53 feedback cross-FM out make filter A self-oscillate make filter B self-oscillate Monitoring MIX output in SERIAL configuration.

Drone zone 1 54 Monitoring OUT B or MIX output in SERIAL configuration. Set filter B FM2 opposite to filter A FM2. Experiment with different cutoff,

Expander - Overview 55 set AUX MOD A AUX IN A level Q CV A level set AUX MOD B AUX IN B level Q CV B level

Expander - VC Q filtering 56 Q CV A level Q CV B level signal in Q CV signal filter B out filter A out MIX out

Expander - Quad filter 57 A signal in AUX A signal in (AUX A + A) : (AUX B + B) out (AUX A + A) out AUX IN A level AUX IN B level AUX B signal in (A

HP1 / 1-pole high-pass filter 04 Input attenuator IN A (and/or B) controls the level into the filter A (and/or B). For classic tone keep this below

Expander - Quad filter feedback loop 58 AUX IN A level AUX IN B level feedback loop out Monitoring MIX output in SERIAL configuration. make filter A s

Expander - Cross-Q modulation 59 Q CV A level Q CV B level make filters A & B self-oscillate Monitoring MIX output in PARALLEL configuration. cros

Expander - Feedback cross-Q modulation 60 Q CV A level Q CV B level Monitoring MIX output in SERIAL configuration. make filters A & B self-oscilla

Expander - Drone zone 2 61 Monitoring OUT B or MIX output in SERIAL configuration. Set filter B FM2 opposite to filter A FM2. Experiment with differe

HP2 / 2-pole high-pass filter 05 Input attenuator IN A (and/or B) controls the level into the filter A (and/or B). For classic tone keep this below

BR1 / 1-pole band-reject filter 06 Input attenuator IN A (and/or B) controls the level into the filter A (and/or B). For classic tone keep this belo

Dual 1V/Oct sine oscillator 07 filter A sine out filter B sine out make filter A self-oscillate filter A kind of fine frequency set 1V/Oct quantized